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“Brilliance,
accuracy and communication blended in a reading [of Lutoslawski’s
Mini Overture] brimming with flavorful detail. This is a mini-masterpiece,
and it sounded so from the lips of the Meridian musicians. Two works
written for the ensemble also benefited from the group’s unforced
virtuosity. Peter Robles’ “Transcendent Tones, Fractured
Forms,” eclectic in style and attractive in achievement, allowed
the players to pull out myriad brass techniques, from flutter-tonguing
and muted passages to chorale-like statements. In Phillip Johnston’s
clever “Sleeping Beauty,” here given its world premiere,
the instruments imitate vocal passages until the tuba establishes
a bluesy ostinato and all sorts of jazzy dreams and nightmares disrupt
the snooze …. The Meridians brought a refined freedom to bebop
tunes arranged by Chris Hughes.”
The
Pittsburgh Press,
May 27, 1991
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Below is a list of selected reviews of the Meridian Arts Ensemble's performances
and recordings. These reviews are provided by the generous permission of their authors and publications:
Meridian Arts Ensemble: Brink
By Dave Connolly, Progrography
Meridian Arts Ensemble: A Tribute to Frank Zappa
By Allan Kozinn, The New York Times
Meridian Ensemble shines in wide latitude of styles
By Donald Rosenberg, Plain Dealer Music Critic
Meridian Arts Ensemble onuitsprekelijk
mooi
Anxiety of Influence, in Dutch, by Ruud van Poelgeest
The Meridian Arts Ensemble:
Anxiety Of Influence
By Evil Bob
The Meridian Arts Ensemble:
Anxiety Of Influence
by Jim Sheldon-Dean, editor, The Music & Travel Report
From the May, 1997 issue, by permimssion
Washington Post, March 18, 1996
Style Section PERFORMING ARTS
by Joan Reinthaler
We will be adding more reviews to this section - please keep checking back.
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This website and all content copyright © 2006
Meridian Arts Ensemble
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