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Reviews



“Brilliance, accuracy and communication blended in a reading [of Lutoslawski’s Mini Overture] brimming with flavorful detail. This is a mini-masterpiece, and it sounded so from the lips of the Meridian musicians. Two works written for the ensemble also benefited from the group’s unforced virtuosity. Peter Robles’ “Transcendent Tones, Fractured Forms,” eclectic in style and attractive in achievement, allowed the players to pull out myriad brass techniques, from flutter-tonguing and muted passages to chorale-like statements. In Phillip Johnston’s clever “Sleeping Beauty,” here given its world premiere, the instruments imitate vocal passages until the tuba establishes a bluesy ostinato and all sorts of jazzy dreams and nightmares disrupt the snooze …. The Meridians brought a refined freedom to bebop tunes arranged by Chris Hughes.”

The Pittsburgh Press,
May 27, 1991


Below is a list of selected reviews of the Meridian Arts Ensemble's performances and recordings. These reviews are provided by the generous permission of their authors and publications:

Meridian Arts Ensemble: A Tribute to Frank Zappa
By Allan Kozinn, The New York Times

Meridian Ensemble shines in wide latitude of styles
By Donald Rosenberg, Plain Dealer Music Critic

Meridian Arts Ensemble onuitsprekelijk mooi
Anxiety of Influence, in Dutch, by Ruud van Poelgeest

The Meridian Arts Ensemble: Anxiety Of Influence
By Evil Bob

The Meridian Arts Ensemble: Anxiety Of Influence
by Jim Sheldon-Dean, editor, The Music & Travel Report
From the May, 1997 issue, by permimssion


Washington Post, March 18, 1996
Style Section PERFORMING ARTS
by Joan Reinthaler


We will be adding more reviews to this section - please keep checking back.

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